Scenic Design, Improvisation and Non-Conventional Theatre Spaces in the Production of Abdallah’s The Slaves

Abstract

Spaces abound to accommodate theatrical performances in Ghana, yet most performances are limited to the conventional theatre spaces (usually underscored by built-up auditoriums, stage, wings etc.). Also some conventional theatre space (such as the proscenium) over the years has bridged a gap between audience, performers and the environment. This is partly due to the introduction of modern trends in pyrotechnic and special effects (projections and sophisticated lighting systems); being embraced in the modern theatre experience. This development to an extent has put the creative role of a scenic designer (in achieving a spectacle) into jeopardy. People have resorted to nature as a place of relaxation and have utilized the space for picnics, prayer grounds, learning arena etc. This notwithstanding, much attention has not been given to the fact that nature can serve as an alternative theatrical site in Ghana. Thus an exploration of natural environment as an alternative theatrical site, employing the use of found objects (natural and recyclable materials) through improvisation in the creation of scenic design, necessitated this study; as Ben Abdallah’s The Slaves served as a source material for this experiment. The study also sought to examine the influence of modern trends in development of the creative ability of the scenic designer. Furthermore, there was a need to examine the aesthetic experience between the audience and performers in the created environment. The research approached an art-based methodology, with the creation of the setting of The Slaves mostly reliant on the imagination and intuition of the scenic designer. Research employs techniques from art movements namely: Abstract Expression, Symbolism and Realism. The concept of Constructivism and Mimesis are theories underpinning the study