Preserving Indigenous Knowledge: A Study of the Archives of the International Centre for African Music and Dance

dc.contributor.authorAdjei, E.
dc.date.accessioned2018-10-02T09:53:43Z
dc.date.available2018-10-02T09:53:43Z
dc.date.issued2007
dc.description.abstractArchives are part of our cultural heritage. Acquiring, processing and providing access to recorded information are some the reasons why archival institutions exist. The functions of the ICAMO archives are no different. It is an audio-visual archive with collections of African music and dance dating back to the 1950s. That this heritage is worth preserving is the theme of this study. The state-o f-the art in the preservation of audio and video recordings are investigated, problems which come to light discussed and feasible solutions prescribed. Face-to-face interview and observation were the instruments considered appropriate for the study. The study revealed that while some positive arrangements are in place, current preservation effort by (he ICAMO lacks focus and coordinated planning. A lot more needs to be done by way of providing the necessary resources and the appropriate facilities supported by comprehensive institutional policies on acquisitions and access.
dc.identifier.citationAdjei, E. (2007) “Preserving Indigenous Knowledge: A Study of the Archives of the International Centre for African Music and Dance. Ghana Library Journal. (Special Edition).Vol. 17. 43 – 53 (ISSN 0855 – 3033).en_US
dc.identifier.otherVol. 17. pp 43 – 53
dc.identifier.urihttp://ugspace.ug.edu.gh/handle/123456789/24464
dc.language.isoenen_US
dc.publisherGhana Library Journalen_US
dc.titlePreserving Indigenous Knowledge: A Study of the Archives of the International Centre for African Music and Danceen_US
dc.typeArticleen_US

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