Ruptures, Junctures, and Difference: The Role of Music and Ritual Performance in Framing “Tradition” in Contemporary Royal Ceremonies, Ghana
| dc.contributor.author | Avorgbedor, D. | |
| dc.date.accessioned | 2023-04-18T12:18:24Z | |
| dc.date.available | 2023-04-18T12:18:24Z | |
| dc.date.issued | 2022 | |
| dc.description | Research Article | en_US |
| dc.description.abstract | Royal rituals and festivities are vibrant sites of cultural continuity among the Ewe of Ghana. The rituals exhibit elements of hyperreal, sonic, and sacred/secular sensibilities that frame performance and embodied affectivity. The royal event complex engages the multisensory, the carnivalesque and interstices of the sacred/secular in Ewe spirituality and religious outlook. | en_US |
| dc.identifier.other | DOI: 10.4312/mz.58.1.7-41 | |
| dc.identifier.uri | http://ugspace.ug.edu.gh:8080/handle/123456789/38857 | |
| dc.language.iso | en | en_US |
| dc.publisher | Musicological Annual | en_US |
| dc.subject | sonic affectivity | en_US |
| dc.subject | sacred-secular continuum | en_US |
| dc.subject | multisensory | en_US |
| dc.subject | contestations | en_US |
| dc.subject | Ewe performance | en_US |
| dc.title | Ruptures, Junctures, and Difference: The Role of Music and Ritual Performance in Framing “Tradition” in Contemporary Royal Ceremonies, Ghana | en_US |
| dc.type | Article | en_US |