The Truth Imagined: The Imposture of Enric Marco as Portrayed in Javier Cercas’ El impostor.
dc.contributor.author | Afatsawo, D. | |
dc.contributor.author | Yennah, R. | |
dc.date.accessioned | 2020-01-08T16:58:45Z | |
dc.date.available | 2020-01-08T16:58:45Z | |
dc.date.issued | 2016-10-27 | |
dc.description | Seminar | en_US |
dc.description.abstract | In his El impostor, Javier Cercas, the prolific Spanish writer, sought to unmask Enric Marco, who had lived his public life as a holocaust survivor and anti-Franco crusader, as an imposter. Couched in epistemological (fiction vs reality) and moralistic (truth vs. falsehood) terms, Marco’s imposture is debated against the backdrop of Spain’s most recent history: the Civil war and its aftermath, the Franco dictatorship, the Transición and the fervor of the Memoria histórica. In this presentation, I will read El impostor in light of three questions: a) What is an imposture b) Is an imposture justified and justifiable, and c) Is a public imposture the sign of the times. | en_US |
dc.identifier.uri | http://ugspace.ug.edu.gh/handle/123456789/34381 | |
dc.language.iso | en | en_US |
dc.subject | holocaust survivor | en_US |
dc.subject | anti-Franco crusader | en_US |
dc.subject | epistemological | en_US |
dc.subject | Memoria histórica | en_US |
dc.title | The Truth Imagined: The Imposture of Enric Marco as Portrayed in Javier Cercas’ El impostor. | en_US |
dc.type | Article | en_US |
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