Dance research and the issue of representation

Abstract

Dance research involves investigating analysing and interpreting a phenomenon. During the process of dance investigation, researchers apply their various techniques to gather information they intend to share with the rest of the world. Significantly, whatever image of the phenomenon researchers carry is unquestionably a representation. This paper employs multidisciplinary approach to apply Stuart Hall’s concept of representation to dance research within an African context. The paper draws on both primary and secondary sources to re-open debate on complexities involved in applying Western concept to African Arts.