Avant-gardisme, jeu et contre-discours dans Babyface de Koffi Kwahulé

dc.contributor.authorAsaah, A.H.
dc.date.accessioned2012-03-29T18:30:37Z
dc.date.accessioned2017-10-14T12:44:36Z
dc.date.available2012-03-29T18:30:37Z
dc.date.available2017-10-14T12:44:36Z
dc.date.issued2007
dc.description.abstractIn his novel Babyface, Koffi Kwahulé, who is one of the greatest writers of contemporary Africa, takes exception to political intolerance and ethnocentrism. The stylistic innovations discernible in the novel have the effect of throwing into relief stock themes such as the folly of passions (war, politics and love) and the socio-political disarray of post-colonial Africa as well as new issues such as the politicization of gender, the State as invention, identity as creation and culture as relationship.en_US
dc.identifier.urihttp://197.255.68.203/handle/123456789/465
dc.language.isoenen_US
dc.publisherLes Lettres Romanes 3/4(61) : 357-386en_US
dc.subjectAvant-gardismen_US
dc.subjectPatchworken_US
dc.subjectPlay on namesen_US
dc.subjectRole playen_US
dc.subjectCivil waren_US
dc.subjectContestationen_US
dc.subjectStereotypeen_US
dc.subjectPrejudiceen_US
dc.subjectInclusive politicsen_US
dc.titleAvant-gardisme, jeu et contre-discours dans Babyface de Koffi Kwahuléen_US
dc.typeArticleen_US

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