Mitigating Domestic Violence in Ghana Through Theatre

Abstract

Theatre has been with humanity over the centuries due to its importance to society. Not only is the theatre meant for fun, but also to discuss pertinent issues bothering people. Hence, many playwrights have resorted to theatre to explain philosophies, theories and instigate change in society. Theatre therefore engages the audience mentally and psychologically when issues raised in the play are of primary interest to the audience. Domestic violence has become a household name in the country owing to, perhaps, its prevalence. Over the years, government, religious bodies and other gender advocacy groups have spent time and resources fighting this violence that keeps on surging. A research problem is thus identified, as to how theatre can be used to mitigate this increasing trend of domestic violence incidents. Through unstructured interviews and observation, relevant data was obtained from stakeholders as well as victims/survivors and perpetrators of domestic violence. The data gathered was later assessed using the qualitative method. Plays and other materials that discuss issues on domestic violence were also accessed and analysed. Interventional efforts against domestic violence in Ghana were also discussed. Results assembled after carrying out the methodology served as an invaluable resource in writing the play Sorry Ever After. The play aims at educating its readers, through the actions and inactions of the characters, about the causes, effects and prevention of domestic violence. Finally, the play hopes to spur its readers into action against domestic violence.