Spirit and Lessons of International Co-productions and the Making of The Destiny of Lesser Animals (Ghana, 2011)
dc.contributor.author | Gbormittah, F. | |
dc.date.accessioned | 2012-12-31T15:14:17Z | |
dc.date.accessioned | 2017-10-14T12:40:02Z | |
dc.date.available | 2012-12-31T15:14:17Z | |
dc.date.available | 2017-10-14T12:40:02Z | |
dc.date.issued | 2011 | |
dc.description.abstract | This paper seeks to draw attention to and address certain generally held suppositions about international co-productions, using The Destiny of Lesser Animals (2011) as a working example. The paper examines what The Destiny of Lesser Animals (2011) stands for as a film resulting from an international co-production with minimal budget but high production values and a crossover genre story set in a context that builds in a certain audience termed “international.” | en_US |
dc.identifier.uri | http://197.255.68.203/handle/123456789/2094 | |
dc.language.iso | en | en_US |
dc.publisher | Journal of Performing Arts | en_US |
dc.title | Spirit and Lessons of International Co-productions and the Making of The Destiny of Lesser Animals (Ghana, 2011) | en_US |
dc.type | Article | en_US |