Kasahare: Demystifying Rap Lyricism and Artistry in Ghana’s Hiplife Music

dc.contributor.authorDzitrie, E.
dc.contributor.authorAgbemava, X.M.K.
dc.date.accessioned2022-01-04T13:03:17Z
dc.date.available2022-01-04T13:03:17Z
dc.date.issued2021
dc.descriptionResearch Articleen_US
dc.description.abstractThis article explores imaginative rap lyricism through Kasahare – a backbone of hiplife, a Ghanaian culture and entertainment staple since the 1990s – to understand its etymology, composition, and popularization, and examines excerpts of verses from three songs we consider archetypes of Kasahare released in the last 20 years, to evaluate its artistic and linguistic values. We complement our analysis with first-hand accounts and relevant contextual information gathered through personal interviews, and argue that Kasahare and its role in the preservation and promotion of Ghanaian sociocultural identities and local linguistic resources are imperative and need further study.en_US
dc.identifier.otherhttps://doi.org/10.1080/03007766.2021.1991173
dc.identifier.urihttp://ugspace.ug.edu.gh/handle/123456789/37432
dc.language.isoen_USen_US
dc.publisherTaylor & Francis Groupen_US
dc.subjectGhanaen_US
dc.subjecthiplifeen_US
dc.subjectCultureen_US
dc.subjectindigeneityen_US
dc.subjectKasahareen_US
dc.subjectrapen_US
dc.titleKasahare: Demystifying Rap Lyricism and Artistry in Ghana’s Hiplife Musicen_US
dc.typeArticleen_US

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