The Choral Music Scene In The Gold Coast (Ghana) Prior To 1933

dc.contributor.authorAndoh, T.E.
dc.date.accessioned2019-12-05T11:38:05Z
dc.date.available2019-12-05T11:38:05Z
dc.date.issued2008-12-03
dc.descriptionArticleen_US
dc.description.abstractThe paper looks at the choral music scene in the Gold Coast (Ghana) prior to the year 1933, the year after the publication of Amu S 'Twenty-jive African Songs. The paper argues that before the publication there was the tradition of choral music composition in the country. This tradition had been nurtured by the introduction of art music, the hymn and anthem of Western Europe, and the introduction of formal education and music education into the country by the Europeans. The paper also presents a profile of some of the early Ghanaian composers of choral music, with samples of some of their compositions, which show influences from the tradition known to them - the hymn and anthem introduced by the Europeans.en_US
dc.identifier.urihttp://ugspace.ug.edu.gh/handle/123456789/34035
dc.language.isoenen_US
dc.publisherGhana Journal of Religion and Theology (GJRT)en_US
dc.relation.ispartofseriesNew Series;Vol 3
dc.subjectChoral Music Sceneen_US
dc.subjectThe Gold Coasten_US
dc.subjectGhanaen_US
dc.subject1933en_US
dc.titleThe Choral Music Scene In The Gold Coast (Ghana) Prior To 1933en_US
dc.typeArticleen_US

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