Speech Surrogates of Africa: A Case of Fante Mmensoun

dc.contributor.authorArhine, A.
dc.date.accessioned2012-05-11T17:54:27Z
dc.date.accessioned2017-10-14T12:39:54Z
dc.date.available2012-05-11T17:54:27Z
dc.date.available2017-10-14T12:39:54Z
dc.date.issued2009
dc.description.abstractVarious forms of communication based on sounds produced by instruments are common in many African Societies. Among these, the slit drum gong and drums are the most popular and the most widely used as speech surrogates in Africa (Nketia, 1971:700). With the introduction of participant-observation research orientation to African Scholarship, new information is being discovered and structured to fill existing gaps in knowledge. The ‘mmen esoun’ (also spelt ‘mmensoun) (meaning Seven Horns) is a speech surrogate used among the Fante of Ghana. Mmensoun has a dual capability of imitating the speaking voice and, simultaneously, serving as a musical instrument in a performance. As a speech surrogate, it functions as an effective and powerful instrument for communication. This paper introduces the communicative sounds of the mmensoun within the cultural system of the Fante, and offers a framework within which the instrument could be further investigated.en_US
dc.identifier.urihttp://197.255.68.203/handle/123456789/1310
dc.language.isoenen_US
dc.publisherLegon Journal of the Humanities (20): 105-122en_US
dc.subjectEthnographyen_US
dc.subjectSurrogatesen_US
dc.subjectMmensuonen_US
dc.subjectSentimentsen_US
dc.subjectCommunicationen_US
dc.subjectPerformanceen_US
dc.titleSpeech Surrogates of Africa: A Case of Fante Mmensounen_US
dc.typeArticleen_US

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