Ruptures, Junctures, and Difference: The Role of Music and Ritual Performance in Framing “Tradition” in Contemporary Royal Ceremonies, Ghana

dc.contributor.author	Avorgbedor, D.
dc.date.accessioned	2022-08-16T14:41:55Z
dc.date.available	2022-08-16T14:41:55Z
dc.date.issued	2022-07
dc.description	Research Article	en_US
dc.description.abstract	Royal rituals and festivities are vibrant sites of cultural continuity among the Ewe of Ghana. The rituals exhibit elements of hyperreal, sonic, and sacred/secular sensibilities that frame performance and embodied affectivity. The royal event complex engages the multisensory, the carnivalesque and interstices of the sacred/secular in Ewe spirituality and religious outlook.	en_US
dc.identifier.issn	0580373X
dc.identifier.other	10.4312/mz.58.1.7-41
dc.identifier.uri	http://localhost:8080/handle/123456789/38245
dc.language.iso	en	en_US
dc.publisher	Znanstvena zalozba Filozofske fakultete Univerze v Ljubljani	en_US
dc.subject	Ewe performance	en_US
dc.subject	Multisensory	en_US
dc.subject	Sacred-secular continuum	en_US
dc.subject	Sonic affectivity	en_US
dc.title	Ruptures, Junctures, and Difference: The Role of Music and Ritual Performance in Framing “Tradition” in Contemporary Royal Ceremonies, Ghana	en_US
dc.type	Article	en_US

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