World Music: A Stimulus to Ghanaian Tourism, Education and ‗Cross-Over‘ Musical Collaborations

Show simple item record

dc.contributor.author Collins, J.
dc.date.accessioned 2016-03-04T14:28:28Z
dc.date.available 2016-03-04T14:28:28Z
dc.date.issued 2011
dc.identifier.issn 0855-2606
dc.identifier.uri http://197.255.68.203/handle/123456789/7743
dc.description.abstract This article is based on a paper read at a Colloquium on Globalisation and the Humanities, Faculty of Arts University of Ghana, Legon, 5-6th May, 2004. It looks at the reasons for the growth of international interest in African music since the 1980s – as part of the emergence of the so-called „World Music‟ phenomenon. It then turns specifically to Ghana and presents ways these developments positively impact on the local tourist industry, the educational sector and in the area of cross-over musical collaborations between Ghanaian and foreign artists. en_US
dc.language.iso en en_US
dc.publisher Journal of Performing Arts:University of Ghana, Legon en_US
dc.title World Music: A Stimulus to Ghanaian Tourism, Education and ‗Cross-Over‘ Musical Collaborations en_US
dc.type Article en_US


Files in this item

This item appears in the following Collection(s)

Show simple item record

Search UGSpace


Browse

My Account