Styles and Practices Performance in Nigerian Gospel Musicianship

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dc.contributor.author Adedeji, F.
dc.date.accessioned 2016-03-02T09:37:35Z
dc.date.available 2016-03-02T09:37:35Z
dc.date.issued 2012
dc.identifier.issn 0855-2606
dc.identifier.uri http://197.255.68.203/handle/123456789/7709
dc.description.abstract In this paper, various stylistic techniques and practices that distinguish the sub-types of Nigerian gospel music are highlighted and classified. The data was collected through the discography method, then the data was collated and analyzed. This paper asserts that singing style constitutes a distinguishing factor in Nigerian gospel music while the performance practices forms one of the determinants of the African-ess of the genre. The hermeneutics of this great music are also examined in the paper. en_US
dc.language.iso en en_US
dc.publisher Journal of Performing Arts:University of Ghana, Legon en_US
dc.title Styles and Practices Performance in Nigerian Gospel Musicianship en_US
dc.type Article en_US


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